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The Spanish parishioner who achieved global fame for her poorly executed repair job on a valuable Jesus Christ fresco has died at the age 94.

The woman, a resident of the town of Borja in northern Spain, rose to prominence 13 years ago after she attempted to repaint a century-old fresco titled Ecce Homo housed within her parish church.

Giménez's restoration effort quickly went viral and was dubbed "Potato Jesus", because the resulting depiction of Christ's head bearing a resemblance to a hairy monkey.

Local Confirmation and Homage

The nonagenarian's passing was confirmed by the town's mayor, Eduardo Arilla, in a social media post, where he described her as a "passionate lover of painting from a young age".

"Rest in peace Cecilia, your memory will live on with us," Arilla wrote.

Arilla further referenced Giménez's "now-legendary restoration of Ecce Homo" in August 2012, which "because of the deteriorated condition it presented, Cecilia, with the best intentions, decided to repaint the work over".

The Artwork's Background and the Fateful Act

The Ecce Homo ("Behold the Man" in Latin) by nineteenth-century artist Elias Garcia Martinez had been held for over a century in the Sanctuary of Mercy Church near Zaragoza.

At the time, Giménez, then 81, stated that church members had "always repaired everything here", and that she had received permission from the parish priest to do the work.

She also noted that anybody who entered the Church would have seen she was applying paint to the original artwork.

An Unexpected Economic Lifeline

The aftermath of the repaint job spawned the "Monkey Christ" internet phenomenon and transformed the previously sleepy town of Borja quickly become a major visitor attraction.

The municipality, which had in the past seen only five thousand tourists per year, received more than 40,000 tourists by 2013, and generated more than €50,000 for charity from the interest.

Currently, officials say that somewhere around 15,000 and 20,000 tourists travel to Borja every year to view the notorious painting, which is now protected by a pane of glass.

Later Life and Local Support

Following the wave of criticism, backed by local residents and well-wishers around the world, Giménez later hold an art exhibition showcasing twenty-eight of her own paintings.

She was commended by Borja's mayor for her kind-hearted nature and years of dedication to the parish.

Ultimately, what began as a sincere but flawed art repair created an unlikely cultural icon and provided unprecedented attention and resources to a small Spanish town.